Stenobothrus eurasius eurasius Zubovski, 1898

Şirin, Deniz, Mol, Abbas, Taylan, Mehmet Saýt, Demýr, Eyüp & Kizilocak, Dýlan Hevra, 2017, The Gomphocerinae Tarbinsky, 1932 (Orthoptera: Acrididae) fauna of the Turkish Thrace, Zootaxa 4299 (3), pp. 361-383 : 370-371

publication ID

https://doi.org/ 10.11646/zootaxa.4299.3.3

publication LSID

lsid:zoobank.org:pub:D0B774AA-CF9A-48F1-B2BA-DE49A01EB365

DOI

https://doi.org/10.5281/zenodo.6024085

persistent identifier

https://treatment.plazi.org/id/03C49A11-5809-FFFC-2992-DE0F1F5EFE8D

treatment provided by

Plazi

scientific name

Stenobothrus eurasius eurasius Zubovski, 1898
status

 

Stenobothrus eurasius eurasius Zubovski, 1898

Stenobothrus eurasius Zubovski, 1898 : 3,75.

Distribution in the Palaearctic region: Austria, Czech Republic, Greece, Moldavia, Hungary, Romania, Russia, Slovakia, Ukrania, and East Palearctic ( Harz 1975; Gavlas 2005; Berger 2008)

Distribution in the Turkish Thrace: First record for the study area and Turkey.

Material examined: KIRKLARELİ: Between Demirköy-Pınarhisar , 314m a.s.l., N: 41°38.982’ E: 27°36.253’, 31.VII.2013, 2 ♂♂, 2 ♀♀, leg.: D. Şirin & E. Bayram; Demirköy, between Poyralı-İslambeyli, 350m a.s.l., N: 41°38.570’ E: 27°36.181’, 24.VI.2015, 4 ♂♂, 3 ♀♀, leg.: D. Şirin, S. Kar, G. Akyıldız ( Fig. 10 View FIGURE 10 A). Calling song recorded from two males at 27 ˚C in the laboratory conditions by D. Şirin.

Description of song: Stenobothrus eurasius eurasius can produce a very complex song pattern, especially in the courtship song. The calling song of this species consists of an unusually long phrase (32–57s). The beginning of phrase includes an irregular pattern as a noisy part in low amplitude ( Fig. 10 View FIGURE 10 B) or several discontinuous parts. A phrase includes regular syllables (except several syllables at the beginning and end of the phrase) and the duration of the syllables range between 516 and 613 ms Syllables consists of two obvious parts ( Fig. 10 View FIGURE 10 C). First part contains sharpen pulses in continuous crescendo from beginning to middle and decrescendo from middle to its ends ( Fig. 10 View FIGURE 10 D). Second part of the syllable contains a few pulses group with a similar amplitude modulation ( Fig. 10 View FIGURE 10 D).

The number of these group ranges from 2 to 6 in this part. Although the numbers of pulse groups in the second part of the syllables are up to six, there are mostly two long pulse groups and several versions of it separated by gaps ( Fig. 10 View FIGURE 10 C–D).

Published song data, used for comparison: Berger 2008.

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